Last weeks I have been so busy with practising and preparing for the opening ceremony for "Chrstimas Town Gothenburg" (Julstaden Göteborg). But due to the storm Helga that hit the west coast of Sweden last week it was cancelled, and it was like a relive but also somewhat disappointing since we had spent so much time doing choreography, practising, building fire equipment, clothes, transportation, and late evening freezing fire practises. We got to know each other as a group and make a good show that no one got the chance to see.
But the good thing is that I have learned quite a lot from the process of making the show as well since this was probably the biggest show I have been involved in. The show itself only lasted for five minuets, but since we were eight fire artists we made some nice group syncronized choreography that displayed torches, dragon staff, single staff, double staff, partner poi, fans, snake poi and the single staff again. A lot of time was spent to coordinate us and make sure that the switches and lightening of the new equipment could be done in a safe and smooth way.
Another thing that has been really awesome with this project is that we have had a dedicated leader that has used this project as a reference project in her studies for a "cultural projects manager". She has done a great job managing everything and since she was also reflecting on how we were doing she made us conscious on what was happening in our group and how the project was going, which was very instructively.
tisdag 8 december 2015
lördag 10 oktober 2015
Cuisine et Confessions - inviting the audience to join them in the kitchen around their favourite food
Some weeks ago I saw Cuisine et Confessions with 7 Fingers with some friends that had never seen contemporary circus before.
The show had already started when we got in; the artists were on stage messing around with some kitchen tools and things and it made a nice ambience. They already started to make some contact with the audience by asking things, making my friend prove that she could break an egg with just one hand and talking about food.
The interactions with the audience was the thing that made this show stand out compared to other contemporary circuses I have seen. It proved that interaction with the audience can be made even if we were seated in an old theatre, and they did it both by talking to us, come out to us and letting people up on stage.
The show consisted of some big numbers with seamless transitions in between, and both were very good. The solo numbers were accompanied by the artist talking about their memories and relations to different kinds of food, which gave this show a very personal touch. This personal touch, the food theme and the interaction with the audience made the performers seem very human and "real", as an opposition to other circus shows where the performers sometimes feel like humans from another world.
The pace of the numbers with the small things in between gave the show good dynamics. Sometimes it is very focused on one performer or one thing, but in the big group acrobatic numbers there are so much going on that I could watch it again to see all the things I didn't this time. Not all the performers had a solo number, and it is not a bad thing but I somehow came to expect them to have that and found myself waiting and wondering if the show was really over when all the performers didn't made a solo.
My friend who had never seen contemporary circus before were both amazed by the circus skills, and surprised that there were so much "theatre" in it. The interaction made us involved and the playfulness took away the prejudices of "seriousness and deep subjects" that some people might expect from contemporary circus.
I really liked this show and I would recommend it for both people that are new to contemporary circus as already interested ones, as it is a friendly show that connects with the audience around a theme that is very personal so everyone can relate to it.
The show had already started when we got in; the artists were on stage messing around with some kitchen tools and things and it made a nice ambience. They already started to make some contact with the audience by asking things, making my friend prove that she could break an egg with just one hand and talking about food.
The interactions with the audience was the thing that made this show stand out compared to other contemporary circuses I have seen. It proved that interaction with the audience can be made even if we were seated in an old theatre, and they did it both by talking to us, come out to us and letting people up on stage.
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| After the show 7 fingers were inviting us to share some food with them |
The pace of the numbers with the small things in between gave the show good dynamics. Sometimes it is very focused on one performer or one thing, but in the big group acrobatic numbers there are so much going on that I could watch it again to see all the things I didn't this time. Not all the performers had a solo number, and it is not a bad thing but I somehow came to expect them to have that and found myself waiting and wondering if the show was really over when all the performers didn't made a solo.
My friend who had never seen contemporary circus before were both amazed by the circus skills, and surprised that there were so much "theatre" in it. The interaction made us involved and the playfulness took away the prejudices of "seriousness and deep subjects" that some people might expect from contemporary circus.
I really liked this show and I would recommend it for both people that are new to contemporary circus as already interested ones, as it is a friendly show that connects with the audience around a theme that is very personal so everyone can relate to it.
lördag 26 september 2015
5 degrees by Twisted feet - dance about global warming that needs more things in between its big innovative dances
Twisted feet is a Gothenburg based dance company that had their premier of their latest production "5 degrees" this Thursday, which I attended. Since I have seen many of the dance company Bounce's shows I had really high expectations to "5 degrees", especially since it aspired to build bridges between dance and global warming.
During the indtroduction speeches at the bar upstarirs many of them praised the face that this was a bigger project that included school shows and even an app for education about global warming, as well as this dance show.
I think that it is indeed a brave subject to take on for a dance show, and it is explained in the show when a boy finds a rubrics cube from the future that talk about global warming. The rubics cube is talking with a prerecorded voice, and answered with big movements from the dancer. For each degree there are some dances and also a set location that sets the mood of the dance.
The dances are very innovative in my eyes with position of the dancers, rythm and patterns. There was a lot of energy in the dances and the timing with changes of which part that will be in the spotlight are very good. The dances are very different from each "degree" (and location) and adds variety. All the dances are big group dances with all the dancers on stage.
The show uses a lot of technical help in innovative and new ways, from the voice and rubrics cube to let the audience be underwater with the help of blue lasers.
"5 degrees" aims very high, but I think that the theme is overly explained in the show. The pace is too slow when the boy is talking to the rubrics cube, and I would have wished for more dance in between the big dance acts, both to give the show more dance and less words and to add even more variation, maybe with some duos or solos? Now there are to sharp edges that makes too sharp contrasts and not enough with dynamics. The big dance numbers could have stand out even more with some company from other dances around them.
The scenography with book shelves and wallpapers doesn't bring much to the show, but it takes time to move them out from the stages. I think the show could have done as good without them.
The lack of pace with the talking parts seems even longer since it was not clear to me who these parts where aimed at. Since it was in English, children younger than maybe 13 would have had difficulties to understand the information, and anyone old enough to understand English know at least this basic things about global warming that the voice were telling us.
Because of this, my favourite parts was in a windy mood, with two dancers that looked like the where caught by the wind. The mood was enhanced with hanging fabrics to create the feeling of being up in the sky.
I think it was too much talking an not as much dancing, with some lack of dynamics. The big dances with all the dancers were very good and innovative, but needs to be accompanied with better things in between.
Twisted feet's "5 degrees"
Choreography and directions: Twisted feet
Script: Christoer Brocker and Twisted feet
Clothes: Majli af Ekman
Scenography: Torulf Wetterot
Dancers: Mona Namer, Marco Whilborg, Johnny Nguten, Marcel Gomes, Denny Hultén, Anna Näsström, Pawel Pablo Krupa, Daniel Koivunen, Mia Hellberg and Felix Iljeh.
During the indtroduction speeches at the bar upstarirs many of them praised the face that this was a bigger project that included school shows and even an app for education about global warming, as well as this dance show.
I think that it is indeed a brave subject to take on for a dance show, and it is explained in the show when a boy finds a rubrics cube from the future that talk about global warming. The rubics cube is talking with a prerecorded voice, and answered with big movements from the dancer. For each degree there are some dances and also a set location that sets the mood of the dance.
The dances are very innovative in my eyes with position of the dancers, rythm and patterns. There was a lot of energy in the dances and the timing with changes of which part that will be in the spotlight are very good. The dances are very different from each "degree" (and location) and adds variety. All the dances are big group dances with all the dancers on stage.
The show uses a lot of technical help in innovative and new ways, from the voice and rubrics cube to let the audience be underwater with the help of blue lasers.
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| Twisted feet's "5 degrees". Picture borrowed from fotoscenen.se |
"5 degrees" aims very high, but I think that the theme is overly explained in the show. The pace is too slow when the boy is talking to the rubrics cube, and I would have wished for more dance in between the big dance acts, both to give the show more dance and less words and to add even more variation, maybe with some duos or solos? Now there are to sharp edges that makes too sharp contrasts and not enough with dynamics. The big dance numbers could have stand out even more with some company from other dances around them.
The scenography with book shelves and wallpapers doesn't bring much to the show, but it takes time to move them out from the stages. I think the show could have done as good without them.
The lack of pace with the talking parts seems even longer since it was not clear to me who these parts where aimed at. Since it was in English, children younger than maybe 13 would have had difficulties to understand the information, and anyone old enough to understand English know at least this basic things about global warming that the voice were telling us.
Because of this, my favourite parts was in a windy mood, with two dancers that looked like the where caught by the wind. The mood was enhanced with hanging fabrics to create the feeling of being up in the sky.
I think it was too much talking an not as much dancing, with some lack of dynamics. The big dances with all the dancers were very good and innovative, but needs to be accompanied with better things in between.
Twisted feet's "5 degrees"
Choreography and directions: Twisted feet
Script: Christoer Brocker and Twisted feet
Clothes: Majli af Ekman
Scenography: Torulf Wetterot
Dancers: Mona Namer, Marco Whilborg, Johnny Nguten, Marcel Gomes, Denny Hultén, Anna Näsström, Pawel Pablo Krupa, Daniel Koivunen, Mia Hellberg and Felix Iljeh.
fredag 25 september 2015
Some theories why the monodisciplinar seems to increase in the circus world
I have noticed that lately I have read and heard quite a lot about monodisciplinary shows, and by that I mean specialized shows with only juggling or only acrobatics and so on. To explain my thoughts about this, I will start with the different disciplines of circus.
When I went to circus school, I learned that circus consisted of the following five disciplines:
But lately and especially in new circus I have noticed that there are many shows with only one or maximum two of these disciplines. There are acrobatic shows, juggling shows and balance shows.
Here are some of my ideas of why:
Maybe this has come from small groups that want to explore their discipline deeper, and in order to do that it takes some acts to show the different possibilities within the discipline.
It could also be that people with one specialization meet other people with the same specialization and then decide to make a show together. I think it is much more likely to meet people in your own specialization than someone from a totally different field.
One other explanation could be that it might be easier to "break free" from "traditional circus" by doing it monodisciplinary as it even more underline the differences between traditional and new circus.
It could be easier to sell a show to a venue if it resembles more to other forms of performance that are usually monodisciplinar, like dance or theatre. Because then it is easier to label it as "juggling performance" in the program.
Do you have any ideas of why the monodisciplinar shows has seemed to have increased?
Tilde Björfors has written a lot of interesting things on this topic in her circus research on this link: 7 Dimesions and 7 disciplines (In Swedish).
In the club at uni we did a monodisciplinar show last winter as there where only object swinging, manipulation and juggling in the club at that time. We did a high light video:
When I went to circus school, I learned that circus consisted of the following five disciplines:
- Juggling and object manipulation
- Aerial
- Acrobatics
- Equibrilistics and balance
- Clowning
Later, I found out that some people also include
- Partner acrobatics
- Ring master
These different disciplines are all very different and give different dimensions to the circus, as well as a great variety. They all had their place.
But lately and especially in new circus I have noticed that there are many shows with only one or maximum two of these disciplines. There are acrobatic shows, juggling shows and balance shows.
Here are some of my ideas of why:
Maybe this has come from small groups that want to explore their discipline deeper, and in order to do that it takes some acts to show the different possibilities within the discipline.
It could also be that people with one specialization meet other people with the same specialization and then decide to make a show together. I think it is much more likely to meet people in your own specialization than someone from a totally different field.
One other explanation could be that it might be easier to "break free" from "traditional circus" by doing it monodisciplinary as it even more underline the differences between traditional and new circus.
It could be easier to sell a show to a venue if it resembles more to other forms of performance that are usually monodisciplinar, like dance or theatre. Because then it is easier to label it as "juggling performance" in the program.
Do you have any ideas of why the monodisciplinar shows has seemed to have increased?
Tilde Björfors has written a lot of interesting things on this topic in her circus research on this link: 7 Dimesions and 7 disciplines (In Swedish).
In the club at uni we did a monodisciplinar show last winter as there where only object swinging, manipulation and juggling in the club at that time. We did a high light video:
onsdag 9 september 2015
Trying to overcome some fear of acrobatics at Balance Camp in Gagnef
In the middle of august I attended Balance Camp in Gagnef. Balance Camp is a camp that focused mainly on balance activities and unicycling, but when I registered for which workshops to attend I decided to pick acrobatic ones since I really want to learn some of that. The biggest obstacle is that I have some mental fear of doing acrobatics, but I decided to try to face that fear and learn some new things.
Since the weather was so nice everyone where out at the camp practising or watching others practise, and there was opportunities to practice the things learnt in the workshops or just using the equipment. There where trampolines, air track, crash mats, slack lines, SUPs, trial track for unicycling, juggling equipment, and indoor practise hall and a big grass field.
During the two days I did floor acrobatic, air track and trampoline. I also spend quite a lot of time trying to learn to do a back flip with some helpful spotters, and some lindy hop inspired back flip throws. I tried to jump with unicycle for the first time, and did some slack line walking. In the mornings we did SUP (stand up paddling board) on the river. During the air track class I almost learnt how to do a hand spring!
Since the weather was so nice everyone where out at the camp practising or watching others practise, and there was opportunities to practice the things learnt in the workshops or just using the equipment. There where trampolines, air track, crash mats, slack lines, SUPs, trial track for unicycling, juggling equipment, and indoor practise hall and a big grass field.
During the camp I tried to do things that I don't normally do and trying to overcome the fear of rotating with the head moving up or down. I must say that even though I am still quite afraid of doing acrobatics, I am a little less afraid now. I figure skating I learned the importance of trust in yourself when doing things, and this trust is definitely needed in acrobatics as well and I am slowly working on building that.
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| Discussing how to improve our partner acrobatics back flip. Photo borrowed from Unitwins Facebook page |
There where many unicyclist attending the camp and on Saturday evening there was an informal flatland competition that was nice to watch, both because it was the first unicycle competition I have watched and some of Sweden's best unicyclist where competing.
If you are considering going to Balance Camp an upcoming year I would recommend it. The camp was very organized with a lot of information on the website, mail and on the site, easy registration, home cooked food and nice sleeping rooms. The workshops were good and there was a lot of both equipment and space at the facility, which was a farm next to Dalälven river, as well as nice people that would share their skills.
Balance Camp website (In Swedish)
If you are considering going to Balance Camp an upcoming year I would recommend it. The camp was very organized with a lot of information on the website, mail and on the site, easy registration, home cooked food and nice sleeping rooms. The workshops were good and there was a lot of both equipment and space at the facility, which was a farm next to Dalälven river, as well as nice people that would share their skills.
Balance Camp website (In Swedish)
lördag 5 september 2015
A summary of summer circus activities
It has been silent here for a while and a lot has passed since last time. As always, there is a lot to tell on the different subjects but for now I will just make a list of circus related things I have attended since last time, and hopefully they will turn into links and content.
After a summer of travelling, circus and meeting friends I have now moved back to Göteborg, Swedens second city by the south west coast to do a half year long internship, so now I am looking for circus things to do, as well as just juggling at home over my bed.
The best thing about Göteborg is that compared to Luleå the possibilities to see circus is a lot higher!
- Attended the Swedish Juggling Convention 2015, this year held in Linköping
- Attended a mini circus festival arranged by Karneval in Malmö
- Watched the 20 years celebration show "Borders" by Cirkus Cirkör
- Performed at the graduation dinner at uni
- Held a week long circus course at a camp for children
- Helped to hold another circus course for children at a family summer camp
- Went to Balance camp in Gagnef
I have also juggled in parks, improved the club passing after having the chance to actually practise with people, gotten a raised interest in acrobatics and tried juggling volleyball for the first time. Burned my feet after being unused to be bare foot, and crushed my nails after catching hard thrown clubs.
After a summer of travelling, circus and meeting friends I have now moved back to Göteborg, Swedens second city by the south west coast to do a half year long internship, so now I am looking for circus things to do, as well as just juggling at home over my bed.
The best thing about Göteborg is that compared to Luleå the possibilities to see circus is a lot higher!
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| Jolleyball, or juggling volleyball in Slottskogen park in Göteborg |
torsdag 12 mars 2015
Looking for the perfect set
We are soon going to place an order for new juggling equipment together in the juggling club. As always, I have been thinking a lot about if I need or want to add something to the collection of circus stuff I own.
Lately, I have been going back to juggling quite much again, so I decided to get juggling rings. I have never really practised consistently with rings because I move on directly from balls to clubs when I was learning. But since the gala show at BJC when I saw a girl do a nice ring juggling number I ave had this feeling that I at least want to try it out myself.
The spring is hitting Luleå record early this year, and the day light is coming back! That is really nice, but LEDpoi doesn't work very well it midnight sun during summer, so I decided to get flag poi. I am actually not a huge fan of flag poi, but these ones are quite good and defenitley better than my "scarf" poi. I really learned a lot with them, but since I started to stall a lot I feel very restricted when using them so I hop the flagpoi will be ok, but still look nice in summer.
Since last time I wrote here I have been slightly obsessed with learning German. Lets see for how long that obsession will last?
lördag 28 februari 2015
The process - what does it give to a work of art to see the process behind?
Lately I have been thinking about the process behind all the circus work I have done. Usually people just see the finished product and not the process behind.
Yesterday our friend came to take some photos of me and E when we did our partner poi performance, so make a school project in media. I have had a glimpse of some photos, and when I see them they look awesome. But we are actually in a classroom in school, and I had borrow my friends poi since mine where broken and I also borrowed E's dress at this photo.
When we had a master class in Visby during the medieval week, one word of advice we got was that "you are really good, but people donät understand how good you are". I think this is a sign that most people don't know about the long process of learning tricks, practising them, putting them together and the performing them. Compared to other art forms, less people know about what happens before and after that glimpse of circus that they see.
At the festival of contemporary circus in Umeå I saw a show by the partner acrobats Henrik Agger and Louise Bjurholm, where they presented Louise's master thesis by having a show that basically showed how they prepared, warmed up, and did a performance, and what they did after. To me, I really liked to see how they practised and prepared, and their work together. I had already seen their performance in Cirkus Cirkör's "Wear it like a crown" and I actually enjoyed it even more when I saw the work behind.
We have been trying to be more known at uni by practising in corridors during lunch time. To me, this has been almost more difficult than performing on stage, because I am not used to showing the process behind. I don't know how I feel about people watching me practice, which means that they will sometimes see me fail, drop balls, get angry, get happy, stick things for the first time, and so on. I don't know if I would like to show this side or not.
Since it is interesting to see the process, when is the best time to show it? I think I want to see the finished art product before I see the process. It is not fun to see the directors cur before you have seen the movie without it.
What do you think about seeing the process behind work that you see?
How do you feel about showing the process of your own work to others?
Yesterday our friend came to take some photos of me and E when we did our partner poi performance, so make a school project in media. I have had a glimpse of some photos, and when I see them they look awesome. But we are actually in a classroom in school, and I had borrow my friends poi since mine where broken and I also borrowed E's dress at this photo.
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| A photo from yesterday |
When we had a master class in Visby during the medieval week, one word of advice we got was that "you are really good, but people donät understand how good you are". I think this is a sign that most people don't know about the long process of learning tricks, practising them, putting them together and the performing them. Compared to other art forms, less people know about what happens before and after that glimpse of circus that they see.
At the festival of contemporary circus in Umeå I saw a show by the partner acrobats Henrik Agger and Louise Bjurholm, where they presented Louise's master thesis by having a show that basically showed how they prepared, warmed up, and did a performance, and what they did after. To me, I really liked to see how they practised and prepared, and their work together. I had already seen their performance in Cirkus Cirkör's "Wear it like a crown" and I actually enjoyed it even more when I saw the work behind.
We have been trying to be more known at uni by practising in corridors during lunch time. To me, this has been almost more difficult than performing on stage, because I am not used to showing the process behind. I don't know how I feel about people watching me practice, which means that they will sometimes see me fail, drop balls, get angry, get happy, stick things for the first time, and so on. I don't know if I would like to show this side or not.
Since it is interesting to see the process, when is the best time to show it? I think I want to see the finished art product before I see the process. It is not fun to see the directors cur before you have seen the movie without it.
What do you think about seeing the process behind work that you see?
How do you feel about showing the process of your own work to others?
torsdag 29 januari 2015
Maybe architecture is frozen circus?
It was a long time ago since I wrote about architecture in this blog, and one reason for that might be that here in Luleå I am so used to the city that I don't think about what architecture there might be here. I am now doing a course in form, function and shape in architecture, and one of your tasks is to look around Luleå to find different elements of shape.
This house was our choice for "asymetric in balance". Even though the house in asymetric, it feels stable with the domination of the right tower.
This was our choice for "lines with an upward feeling". This is the Norrbotten's theatre. At the right, you can see a woman on kick sled.
This is the city hall of Luleå. I think it kind of reassembles of the UN building and other building of power.
I think that many of the elements of shapes and lines I study in this architecture class can be applied to circus. In circus there are also lines, shapes and contrast. Goethe said that "Architecture is frozen music", but maybe architecture is frozen circus?
I think that many of the elements of shapes and lines I study in this architecture class can be applied to circus. In circus there are also lines, shapes and contrast. Goethe said that "Architecture is frozen music", but maybe architecture is frozen circus?
fredag 23 januari 2015
Club passing again!
Today at the juggling club there was a girl who could do club passing!
It feels great to try out some club passing again, since I really enjoy doing circus things together with other people. That what I liked with synchronized skating and bugg (a Swedish swing dance) as well - the joy of doing things together!
Doing things with others also motivate me to practice skills so that I can teamwork even better with them!
It feels great to try out some club passing again, since I really enjoy doing circus things together with other people. That what I liked with synchronized skating and bugg (a Swedish swing dance) as well - the joy of doing things together!
Doing things with others also motivate me to practice skills so that I can teamwork even better with them!
fredag 16 januari 2015
LED juggling - infinity trace of light
I just had to try out what LED juggling would look like. Infinity.
I love the trace of light that comes from LED props.
lördag 10 januari 2015
2014 summary - The year of circus shool, festivals, performances and artist development
The new year has started with a lot of snow i Luleå, and I am back studying for the exam period next week.
This blog is almost a year old now, and I wanted to make a post that sums up my circus year.
2014 was the year when I really decided to dig deeper in my interest in circus, and I think I have learnt so many things and met so many nice people. I have done physical circus, practice and attended the Greentop Circus in Performance course, and watched a lot of circus performances.
The best circus thing of the year
The best circus thing of the year was the Greentop Circus in Performance course at Greentop, Sheffield. The course really focus on how to perform, but I learnt many new skills as well. I tried aerial for the first time, and broaden my knowledge and skill of the other disciplines. The fact that I was going to the course was the reason I started this blog, so if you are interested there are many blog posts about this. The CIP course also gave me many new friends! I would really recommend this course.
Best equipment bought
The best new equipment of this year are the LED juggling balls. I really like juggling with them when they glow, and I performed my first solo juggling act with them. There is this special feeling with the glow from LED equipment.
I terms of the most useful thing, it was the cheap ballet shoes I got for tight wire walking. They saved my feet and made it possible to practice more.
Skills achieved that I am most proud of
I learnt so many new skills this year so here are some that I am extra proud of
The graduation shows for the CIP course was the best performance of the year. I did two group dances, assisted others in their acts, did a group juggling act with painters theme, an areal duo act with tourist theme and a maintenance worker themed solo tight wire act. The good thing with this performances was that I really felt how I had evolved throughout the course, and performed not only with skill but also with character. It also felt good to show all our family and friends the show that we out up together as a team. I am so proud of how we made this show together!
The other best performance was in the club's winter show where my friend and I did our partner poi performance with fire in front of an audience for the first time. This time I like that we have this trust and sense of each other that I think just comes with time.
Act performed most times
During the year my poi friend and I have made our partner poi chorography Europa so many times. We did it at the Luleå Work Fair Banquet, at the beach at the Meidival week at Gotland, with fire at the club's show and many more times. On the contrary of what many might think, I am not getting tired of the act, but just more excited about it!
The year of festivals
For the fist time, I went to a juggling convention: BJC in Darton. It was wonderful to juggle in the gym, participate in the games, look at the shops, attend work shops, see the shows, renegade, fight night and gala show! It was awesome!
We also went to the medieval week at Gotland. We saw so many fire performances, sang, dances, looked at the market, looked at peoples awesome costumes, ate nice food and hanged out at the beach at night (with some fire). The medieval week is like a mix of everything, and we got to know each other more as a group.
The year of seminars, circus festivals and consortiums
I also learned a lot more about circus when I attended the Umeå contemporary circus festival and DOCH's Women in Circus Consortium. I attended seminars, lectures and discussions about circus. It is difficult to learn about these things alone in Luleå, and I loved to listen to all the discussions and thoughts.
Shows and performaces watched
This year, I have goten so inspired by all different forms circus can appear in. I have seen many different types of shows and work, and as many was to approach and explore circus. After the CIP course, I learnt that circus is a mix of ideas, skill and how you present them. I enjoyed all of the performances and cannot pick one that I prefer more than the other.
So here is the list:
Sailors and Mermaids cabaret at Greentop
Gala show of BJC
Many fire performances at Medeltisveckan including
Nordegravar performance and vegetable show - Trix
Glimtar - Pyrox
Gofar - Girls on Fire
Myten om Martebo - Pax
Shows at "Magikergränd"
Many shows at Umeå Contemporary circus festival including
An afternoon of Foen
La Soirée - many artists (at least three times because I worked as a voulonteer)
Glitch - Johan Wellton
Flown -Pirates of the Carabena
Underart by Circus Cirkör in Gothenburg
Knee Deep - Circus Casus in Piteå
Magic and juggling show at Chistmas at Liseberg
Shows and extracts at Women in Circus Consortium
Beta testing - Gyonides Project
Eat it - Ruby rose
I shit diamonds - Stacy Sacks
Circus Hall of Femmes - many different artists that where all women
I think 2014 has been a wonderful circus year! I hope you had wonderful circus years as well and that 2015 will be a good one!
This blog is almost a year old now, and I wanted to make a post that sums up my circus year.
2014 was the year when I really decided to dig deeper in my interest in circus, and I think I have learnt so many things and met so many nice people. I have done physical circus, practice and attended the Greentop Circus in Performance course, and watched a lot of circus performances.
The best circus thing of the year
The best circus thing of the year was the Greentop Circus in Performance course at Greentop, Sheffield. The course really focus on how to perform, but I learnt many new skills as well. I tried aerial for the first time, and broaden my knowledge and skill of the other disciplines. The fact that I was going to the course was the reason I started this blog, so if you are interested there are many blog posts about this. The CIP course also gave me many new friends! I would really recommend this course.
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| From my tight wire act |
Best equipment bought
The best new equipment of this year are the LED juggling balls. I really like juggling with them when they glow, and I performed my first solo juggling act with them. There is this special feeling with the glow from LED equipment.
I terms of the most useful thing, it was the cheap ballet shoes I got for tight wire walking. They saved my feet and made it possible to practice more.
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| The LED juggling balls |
Skills achieved that I am most proud of
I learnt so many new skills this year so here are some that I am extra proud of
- Get down to sitting and the stand up again on tightwire
- Starting to learn to keep two diabolos
- Learnt an aerial silks drop
- Stabilized the four ball fountain and opend a door for more four ball tricks
- Performance and clowning skills in general
- Continued to develope partner poi tricks
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| Thank you Gemma for teaching me this aerail silks position |
Best two performances of the year
The graduation shows for the CIP course was the best performance of the year. I did two group dances, assisted others in their acts, did a group juggling act with painters theme, an areal duo act with tourist theme and a maintenance worker themed solo tight wire act. The good thing with this performances was that I really felt how I had evolved throughout the course, and performed not only with skill but also with character. It also felt good to show all our family and friends the show that we out up together as a team. I am so proud of how we made this show together!
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| Juggling with my painting friends in the graduation show |
The other best performance was in the club's winter show where my friend and I did our partner poi performance with fire in front of an audience for the first time. This time I like that we have this trust and sense of each other that I think just comes with time.
Act performed most times
During the year my poi friend and I have made our partner poi chorography Europa so many times. We did it at the Luleå Work Fair Banquet, at the beach at the Meidival week at Gotland, with fire at the club's show and many more times. On the contrary of what many might think, I am not getting tired of the act, but just more excited about it!
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| Here we are just about to start performing Europa |
The year of festivals
For the fist time, I went to a juggling convention: BJC in Darton. It was wonderful to juggle in the gym, participate in the games, look at the shops, attend work shops, see the shows, renegade, fight night and gala show! It was awesome!
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| At the beach at Medieval week in Visby at Gotland together with the friends from the spinning club |
We also went to the medieval week at Gotland. We saw so many fire performances, sang, dances, looked at the market, looked at peoples awesome costumes, ate nice food and hanged out at the beach at night (with some fire). The medieval week is like a mix of everything, and we got to know each other more as a group.
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| I was watching this club balancing game at the BJC |
The year of seminars, circus festivals and consortiums
I also learned a lot more about circus when I attended the Umeå contemporary circus festival and DOCH's Women in Circus Consortium. I attended seminars, lectures and discussions about circus. It is difficult to learn about these things alone in Luleå, and I loved to listen to all the discussions and thoughts.
Shows and performaces watched
This year, I have goten so inspired by all different forms circus can appear in. I have seen many different types of shows and work, and as many was to approach and explore circus. After the CIP course, I learnt that circus is a mix of ideas, skill and how you present them. I enjoyed all of the performances and cannot pick one that I prefer more than the other.
So here is the list:
Sailors and Mermaids cabaret at Greentop
Gala show of BJC
Many fire performances at Medeltisveckan including
Nordegravar performance and vegetable show - Trix
Glimtar - Pyrox
Gofar - Girls on Fire
Myten om Martebo - Pax
Shows at "Magikergränd"
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| A photo from the Girls on fire show |
Many shows at Umeå Contemporary circus festival including
An afternoon of Foen
La Soirée - many artists (at least three times because I worked as a voulonteer)
Glitch - Johan Wellton
Flown -Pirates of the Carabena
Underart by Circus Cirkör in Gothenburg
Knee Deep - Circus Casus in Piteå
Magic and juggling show at Chistmas at Liseberg
Shows and extracts at Women in Circus Consortium
Beta testing - Gyonides Project
Eat it - Ruby rose
I shit diamonds - Stacy Sacks
Circus Hall of Femmes - many different artists that where all women
I think 2014 has been a wonderful circus year! I hope you had wonderful circus years as well and that 2015 will be a good one!
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